Safari on the Socials

The Alps and the New York metropolitan area both have about the same number of residents - 19 million. They both have worldwide fame as tourist destinations, and are full of storied locations - some scary, some beautiful, all memorable in their own way. They say that in New York City, you can hear just about every language on earth. The Alps, on the other hand, have given life to scores of local dialects and languages over the centuries, from Romansch and Piemontese to Walser and Friulian, and of course the mysterious language of the Voynich Manuscript is an alpine tongue.

Thinking  of Opensim and Second Life in those terms goes a long way in illustrating the difference and similarities between the two. 
Opensim is like the Alps, which span eight different countries, from Monaco to Slovenia. The weather, the culture, the laws, the history, even the mountains morph in shape and nature as you travel from the Maritimes to the Dolomites. The people aren't always so easy to spot, down in the valleys or hidden by a range of majestic peaks.

M is for Music

Morlita Quan's Second Life adventure started 16 years ago, and it was pure boredom.

Morlita Quan:   I even remember myself thinking : " Ok, I won't stay here more then two days". But as you well said, SL is a nest of creativity and very soon, I had the luck to meet persons there who used SL as a professional tool for art and music, and not like a simple social game. 

Morlita at her new, as yet unfinished, gallery on sim MorlitaM on OSGrid.

Sixteen years later, Morlita is still working on projects that overlap between the real and virtual worlds. Recently she has revived her interest in Opensim, and has an exciting new sim on OSGrid - address at the end of the post, as usual!  What, though, makes virtual worlds a special place to be creative?

Name Check

 Yeah, what is in a name?  Full Name, Default Name, Display Name, Username, Modern and Legacy... 
Originally when you joined Second Life, you chose a first name - it could be anything you wanted that wasn't wasn't too obviously rude or copyright infringing. Then you picked a last name from a list of about 50 possibles. This surname list was gradually refreshed, so that people who joined around the same time would often find they had 'cousins' - think of the improbable art trio of Selavy, Bryn and Saveme Oh, all linked by that surname, if not much else.  

It was a golden age of witty and punny creativeness, and a huge dose of crass daftness also. Many of the Last Names invited a play on words, and people rose to the challenge with great choices like AM Radio, Hok Wakawaka, or Rolling Shuffle. I bet you can remember a few good ones, put them in the Comments if you want. 

It's painless and quick to change display names in SL

So far in Second Life's impressive 20 year lifespan, there have been over 11,300 Last Names (here's a list of them). That includes both the ones suggested by the Lindens, and custom names people have requested. Some of the earliest Last Names were Baskerville, Prudhomme, Jetaime, Sideways, and Binder. Interestingly in the first four years of SL, only 360 different Last Names were available, each being retired after a few days or weeks, apparently at whim.
Back in 2010 some big name changes happened in Second Life. New account holders had to pick just one name, and whenever legacy form-filling required a second name, they all used the same one - 'Resident'. 

Cherry Manga 3: OS and SL

Throughout the years, Cherry Manga has accomplished the rare feat of maintaining a notable presence both in SL and Opensim. Her 'extrametaversal' experimentation includes forays into Tilt Brush as you can see in this video. Google has discontinued Tilt Brush but there is an Opensource version if you are interested in trying it yourself. It's a brilliant way to augment inworld art in further layers of surreality.

(By the way, please take a moment to watch all these videos in Youtube, like, subscribe and comment if you can, it's a nice way to show your appreciation for the hard work of the machinima makers.)

Getting Seen in Open Sim

 You like to build things, but Second Life has become too expensive or dramatic or stale or commercial for your taste, so you decide to move to open sim.
 You've overcome the hurdle of being a noob again, you've found a region on a sympathetic and cheap grid, or set up your own minigrid and hooked it up to hypergridding. You've gone through an intense period of creating, facing the challenges of sourcing material away from the SL Marketplace, dealing with the maddening glitches that open sim likes to throw at builders, and kaboom - now you have a bunch of beautiful stuff on your sim. 
You look up from your work and suddenly realize that Hey, this is not like SL where you can send out a notice in some spammy art or building group, pay a musician 6 or 7k Lindens, and throw a vernissage or housewarming party with 40 hot bodies to pat you on the back.

Is this scenario familiar to you?

SL Artist Livio Korobase has made a brilliant transition into the open sim art world

          So how can you get the positive feedback that forms an essential part of the creative process? How does it work in Open Sim? What can you do?

SLafari

Two firsts this week. We met in Second Life for the Inaugural Ball at the new Safari Embassy (pop by and see it on sim Sistiana any time) and Apmel fell in love.

Not the first time he fell in love probably but the first time he's done so on Safari.
The purpose of our group, and our trips, is to make it easier and more fun for anyone from SL to make the transition to open sim. Confusion yes, drama no. Open sim is not a smooth operation, but it offers such a lot of possibilities that well, frankly you'd be foolish not to at least dip a toe in the water.

Dorena's World, and The Singing Sands

Depending on the day, hypergridding is five parts serendipity, four parts tenacious determination, and two parts swearing. There was no particular reason to hypergrid to Dorena's World yesterday, except that it's always easier to jump on a weeknight when the voodoo gods of internet provision are at their most beneficent, ie nobody's in the house sucking up my bandwidth watching videos of One Direction and Violetta. Don't even ask.
Dorena's World (URI:  dorenas-world.de:8002:Nihilon) has been around for a long time, in virtual terms. I've been through here before a few times, and always found it empty, so it was quite exciting to see three avatars were in world, among them the actual Dorena!

Dorena Verne and Anachron Young met in SL, and ended up getting together in RL. They built this grid about four years ago as a sort of hideaway, but now share it with over a hundred friends.
The grid took ages to load, then sim-to-sim tp'ing wouldn't work, then there was some freezing, then some crashing and having to re-start my journey from my home grid, jumping through Hyperica Lower (I don't know why they insist they've fixed that 4095 bug, because the latest Kokua and Singularity viewers both still show me the 'No go' message). When I got back to Dorena's World for maybe the third time, I was in the presence of Dorena  and  Anachron. They could see me, but all I could see was deep endless blue sea water, although when I'd seen them for a millisecond on my first arrival, they were in a fairly conventional living room. Knowing I'd probably crash again, I got some quick questions in about the grid, this way in the 7-8 minutes it would take me to come back, they could think of some really good answers. Stuff like: had they found it hard to make their own grid, and what's the greatest satisfaction it gives them? Anachron answered as his English appeared to be the best.
Anachron Young: It took a while to get into making our own grid, but some experience in computers and network technology proved helpful. The best thing is we don't depend on other commercially interested companies. We are a big family, and care for each other.
Well, that's about all I found out. I did ask what I know you're wondering, 'what's up with the people wanting to live at the bottom of the sea?' Apparently, they don't know.

When it comes to events, this week is a good time to visit, because they're celebrating their 4th anniversary and in fact tonight at 10pm they'll be holding a guided tour. They have a bi-weekly dance night on Tuesdays, from 8pm European time, and I would have liked to know more in general about their philosophy regarding community events, because as you're aware that Hypergridding is a slow, serendipitous, open-ended activity. Anachron dismissed me with a link (I hate when people do that) http://www.gridtalk.de which you'll not be surprised is all in German. It would also have been cool to get a picture because by now I'd finally rezzed on dry land, at a spot of high ground overlooking the town. Fearing that a point-to-point TP would once again screw things up, I asked if they could kindly come up on the hill for a 2 minute photo-shoot. They couldn't. They were off to SL. So that's all folks.
Here's the thing with hypergridding. It's all about patience. After those four or five false starts, the problems melted away. It may also have been that the three avies on the grid had taken off by then; that sometimes helps. Time to sight-see; there were some rough patches when crossing sim borders, but no more freezing and the crashing.
The grid has an old-world SL feel in many ways, primmy, not meshy, so if you have to fall back on Imprudence Viewer (my ancient but remarkably stable HG viewer of choice) you'll not miss out on much. One of the oldest things to see is a picture-show of, let's call it 'Big builds in the real world' (real, and a bit legendary) on sim Anachronia.

Then Vanish appeared.
Vanish Seriath (sometimes Vanish Sands) has been playing music since he was 6, and started playing the guitar at 15. he had a band, the name of which has followed him into virtual worlds: TGIB which is The Grey In Between, but also The Good In Bad and a host of other things. He did a show here in Dorena's World a few days ago, performing on this stage. I missed it, but he has several more coming up, notably in OSGrid (on Events Plaza) on February 16th, and in Metropolis on March 7th.
Apparently all the cool kids of open sim are in Google+ nowadays with explains eloquently why I know jack squat about what is going on; if you'd like to have Vanish come perform his music on your grid, you should look for him there.
Vanish.Sands: I've been writing my own stuff since 1999, so far about 60 songs or so. Much of that predates Virtual Worlds, and I'm really pretty embarrassed about many of them.   Since I've been in Virtual Worlds, I've been writing some poems, and lots of musings and stuff about VW, but no songs so far.  But honestly, the cool thing is that here I can play for audiences from all over the world, which is really the best part of being a musician.

With his partner El Firecaster, Vanish inhabits a fairy-tale grid called TGIB (of course) This is the terrace on The Loom. All the sims have poetic names; the grid is semi-private, but if you get the chance to go over there, I highly recommend it. It is a magnificent confection of light and space. It's one of the first places I visited back in the good old days of Pathfinder and the Hypergrid Adventurer's Club. So many grids fall into the trap of replicating the boring concrete boxes of the real world - actually a lot of them are worse than RL architecture, let's be honest - but this place is a fluid fantasy, a symphony of sinuous curves at twilight.

Vanish came to open sim after two years in SL, where he had been a fee-paying sim owner. Out of curiosity, he experimented with an early copybot, to understand how it worked, and got banned. The adventure had begun.
Vanish Sands: That was back in 2009. The biggest differences I've seen in open sim since then are the thousands of bugfixes that make it as stable as it is today. I don't want to sound like I'm talking about how things were back in the war, but man... it was rough. Other than that, I really like the way the hypergrid works now.
As you know Vanish runs OpenSim Creations, an excellent online resource for free content.
Vanish Seriath: We've grown roughly double the last year, both in terms of items, as well as in terms of users. Right now, we get about 5000 visits per day, which puts us in the upper spots of OpenSim related sites. There's about 1500 items and they've been downloaded about 250.000 times.
I wondered how he deals with the age-old problem of provenance on his site. You know, people in SL claiming their stuff has been ripped off and is 'selling' in open sim.
Vanish Sands: Hm. As a provider, I don't check. There's several reasons for that:
          1. I can't possibly know every single item in SL and whether or not someone has the right to upload it to OSC. 
         2. Even if I did, it's really not my job to police the site. That's the police's job.
         And 3. I would put myself in harm's way if I did so, because it could be held against me when someone does something wrong. Like: "Why didn't you remove this item when you say you're checking them; it's clearly infringing." There were a few court cases that went terribly wrong because someone gave the impression that they were actively policing items and then something slipped through. I'm kinda professionally interested in copyright law, so I keep track of all manner of stuff like that.
So what is available on the website?
Vanish Sands: We definitely have a lot of buildings, like houses and such. And all manner of oddities. Avatar accessories and clothes not so much, so those are always needed. The most popular item is a butterfly generator, which is basically just a scripted box that emits butterfly particles, but people seem to love it.  I made a small shop for myself, which is going better than I thought it would, so that's a plus. What I want to do more is make OpenSim items more attractive to merchants, i.e. creators who try to make some sort of income off them. I've started a site where you can click yourself a shop to sell your items online, but so far it didn't get a whole lot of attention. I guess the Kitely Market will be the place to go.
Having your own grid is a bit like having your own tardis. You can keep all kinds of stuff in there.
Vanish Sands: Mmmh, want me to show you something?
Thirza.Ember @tunderbird.dyndns-ip.com: sure
Vanish Sands: You remember AM Radio from SL?
Thirza.Ember @tunderbird.dyndns-ip.com: i do
Vanish Sands: WEll, hold on.Let's go to a region called "surface".
Vanish Sands: When he announced he would leave SL, it broke my heart to think that his artwork would just be gone, so I made a backup for myself.
Thirza.Ember @tunderbird.dyndns-ip.com: just lovely. This is the beauty of having your own place
Vanish Sands: I know. I loved his items so much.
Thirza.Ember @tunderbird.dyndns-ip.com: it makes me laugh when you hear in SL the artists squabbling about one poxy sim in the LEA
Vanish Sands: Haha, yeah. I've got about 6 sims full of his stuff. And with the power of OARs I can load them whenever I want.
Thirza.Ember @tunderbird.dyndns-ip.com: "with the power or oar". I like it.
If you'd like to read more, go to TGIB is the blog of Vanish and El, with lots of musings, fashion thoughts, philosophical ramblings networking and techie advice, and/or follow him on Twitter. There is a nice article by Johnny Waugh about Vanish here  - hey! that's my photo of Vanish, John you picture bandit! I tell you, these open sim people.... shocking.

More Emphasis

The Emphatic Eccentricia show is still on, at the sim of the same name on OSGrid. It marks the 4th anniversary of the group which started in SL but which has high hopes and big plans for an open sim future. 

OhMy Shalala; Systemic Candida Build

          We were at the opening event on January 5th, which featured music by Danger Lytton who had a pirate-themed build in the event, in the shape of a ship and some pretty noisy cannons. Danger is a mesh guy; despite all the detail, his cannons only count 7 prims, which means you can get a lot of firepower on deck without risking lag. (Lag I hear you say? What's that?) With that Jack Sparrow look going on, you won't be surprised to hear that ships are kind of his specialty - and not just the water-bound variety. 
Danger Lytton: I am trying to create a battle sim patterned after Disney's Pirates of the Caribbean, complete with cannons firing and ships on fire and sinking. With availability now of NPC Clones it is fun to populate a scene with 'real' avatars. Currently my Region names are "The City at Night", "OS Shipyards" (currently under renovation) and the "OS Proving Grounds - Dry Lake Flight Test Center"  which is being patterned after the dry lake bed aircraft testing areas in California. The Proving Grounds are currently being used to construct a club for the Sohlarious mega region which will include a space ship ride from the ground, into orbit, through a wormhole and finally arrive at the space station in orbit around a distant star.

The City at Night

 It was also nice to see some soror Nishi trees in OSGrid; they are at ground level, or should i say sea level? and are enlivened by OhMy Shalala's ghostly flame dragons. 
soror as you may know mostly builds in InWorldz these days, although real world art has in many ways gotten the jump on her virtual activity there's a lot about it in her excellent blog. how's that working out, and how do the two creative processes compare?
Soror Nishi:  I spend a lot less time on the computer than I did. When I was very busy in SL it was partly because my RL job was not full-time. I had time to spare and no workshop in RL so virtual worlds gave me some great opportunities. Over the last 12 months I have a garage/workshop and, after finishing my latest RL sculpture, have turned my hand to woodwork. If I lost the RL workshop I might go back to spending more time in VWs.  Real life art is easier in that you can use your hands. Your fingers and hands are amazingly clever... on the computer you can only use your finger tips. I do like Matter. I like materials, so I think both RL and VW are valid media.
If you've read her blog at all, you will have seen how her love affair with wood grain is blossoming into a real passion. the agony and the ecstasy! To see how she has beautifully combined the two apparently different art forms,
click here to see a recent painting by soror of a build in SL, and look at this adorable bonsai reminder of her great virtual forests.       
You can also see it on Flickr so don't forget to go there too, and show the love by favoriting the pic!
       Both Danger and soror started out in SL (duh) but have moved on; I wondered why they think more artists don't leave, considering the much-hated TOS which have driven even the likes of Bryn Oh out of the arms of the Lindens. 
soror Nishi: I think artists think that they have to have the maximum "traffic". They have to have lots of people seeing their work. Many think that there are more people in SL and therefore it's a better place for artists. I think this is rubbish, but it is what keeps people in SL in spite of the ToS, lack of prims, poor building tools and so on.  Making art is not about how many people see it, that is just egoism. Everyone wants to be famous...but I have no idea what could be done to help people move.
Danger Lytton spends a lot of time talking up OS Grid in Second life, using his profile pics to showcase places and scenes in OS.

The Lytton shuttle

Danger Lytton: I have invited many people to come here. Although most of them find OS Grid a challenge compared to Second Life, many of them have stayed. 
Almost since day one in OSG I have said coming here was like packing up the Conestoga Wagon and moving West. It feels more primitive yet more alive. We all share our challenges and our solutions. There are builders and scripters here that are far better than I am, but I still have some of the best there are ask me how to do some things.  The biggest difficulty in OS is stability. Unfortunately I have restarted regions many times because they refuse to work. Often this appears to be because the build I have created is too hard on the system. Other times I think as I am also fond of saying, "It's Sunday." The greatest thing about OSG is that there is no pressure. There is no cost to do most of our work here therefore no rush to finish. I do things over and over again until I am happy with the result.

OS Shipyards

      A lot of pixels have been spilt recently on the subject of the projected figures of SL and OSGrid. Predictions are bunkum, and the multiplication of sims is no guarantee of use or quality.  Call it loneliness, call it traffic, call it community, call it exploring the boundaries; the virtual experience is in the end what you make it. 

If you go online looking for company, and you're not too fussy, you can always find people in SL. Not true of OSGrid. Yes, moving is irksome, finding a place and a look and a group of like-minded individuals is not child's play in any grid, just as it isn't in the real world.

Danger Lytton: One of the things I would like very much to see happen is for the Burning Man Regional in Second Life to branch out into the OSG. Collaboration is the best way to get folks to come here. Listening to what they would like to accomplish here  and then helping them find ways to do it will go a long ways towards keeping them interested. I keep a welcome package of avatars and clothing for noobs to wear so they can feel presentable before they head out into the Grid. One of my desires would be to attract my RL artist daughter to discover the medium of a virtual world. 

   I for one can't wait to meet her!    

          

Building an after Life

building is building, no matter the grid... talent is what show.

Hairy Thor

When bloggers are out of interesting topics, they give you the 'SL is Doomed!' routine. Supposing you're drinking that particular Cool-Aid, you may have wondered, what would happen if I went to build in other worlds? 

weirdness in veesome

On the downside, You're going to look like a noob for a while, and WEIRD STUFF WILL HAPPEN. If you go to a commercial world like InWorldz, and are prepared to pony up, you'll soon have good hair and skins. Otherwise, it's DIY or freebies. DIY can be an education, freebies are getting better all the time, but whichever way you go, be prepared to lose time reinventing yourself on your new grid. 

soror Nishi: I looked like a bagwoman for the first year, before we got shops in InWorldz!
   Personal appearance is only part of the learning curve. Don't be fooled by the laid back attitude outside SL - grid owners aren't lying down on the job, when it comes to protecting residents and their rights.

Elenia Llewellyn: My advice for builders leaving SL - not all licenses are the same! Keep your work legal!
Leannan Shi: Remember to check and make sure that everything in your SL builds is fullperm and YOURS before you bring it over. Sculpted parts do not export well.
Raphaella Nightfire: Scripting and animations require patience. And be prepared to be noob for a few hours.
Alizarin Goldflake: Builders need to be aware that not all SL scripts work here. Some have errors that can cause horrendous lag. And you can't edit linked parts.
Leannan Shi: Boobs don't jiggle in InWorldz. But next week though, right? LOL